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CRAFTELLE

Mixed Apartment Complex at savar

BASIC INFORMATION

Sharifa Khanom Poly

Mixed multi use Apartment

design year

2025

Mixed Residence

under construction

site area

3 Katha

construction area

1050 sqm

Khandoker Tariqul Islam, iqbal hossen sunny, Noshin Saiyara Karim

Savar, Dhaka

CRAFTELLE
Mixed-Use Apartment Complex · Savar, Dhaka

Savar sits at a particular moment in Bangladesh's urban development, neither fully city nor suburb, a place where the pressures of density are beginning to arrive before the infrastructure of density has followed. CRAFTELLE occupies this condition with a building that refuses the generic residential tower and instead proposes a vertical sequence of carefully differentiated inhabitation, where the floor plate shifts character from level to level and the facade reflects that variation in its material expression.

The ground floor establishes the building's civic register. A fully glazed commercial base, recessed behind exposed concrete columns and a herringbone-patterned forecourt, opens the building to the street with transparency and generosity. A reflecting pool runs along the base, its still water surface doubling the timber screen and concrete frame above it, giving the approach to the building an unexpectedly contemplative quality for an urban mixed-use programme.

Above this base, the facade divides into two distinct faces. The side elevations are rendered in plain board-formed concrete, austere and precise. The primary facade facing the street is transformed by a screen of close-set vertical timber louvres in warm golden tones, running across the balcony faces of the residential floors. These louvres are not a uniform curtain but appear in horizontal bands corresponding to the floor plates beneath, each band separated by the exposed concrete slab edge, so that the building reads as a stack of inhabited horizontal layers rather than a continuous vertical extrusion.

Between these louvred residential levels, generous terrace floors are cut into the section at intervals. These terraces are not balconies in the conventional sense but full-depth outdoor rooms, planted with trees and ground cover, open to the sky, and scaled to be genuinely inhabitable as extensions of the living spaces behind them. The topmost of these planted terraces, visible from above in the aerial view, is entirely given over to landscape, a green crown to the building that reads from the surrounding context as a declaration of the project's values.

The section, read as a whole, proposes a residential typology suited to the particular conditions of a mid-density Savar street: commercial activity at the ground, a sequence of screened and planted residential floors above, and a landscape crown at the top, the whole held together by the consistency of the exposed concrete frame and the warmth of the timber louvre that runs across its inhabited faces.

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